Contemporary Landscape: an Interview with Yin Zhaoyang
“I hoped that when we bring Shan Shui (landscape painting) back to our generation, it will be something different.” – Yin Zhaoyang, in interview with Vermilion Art to mark his first solo exhibition in Australia, Soul Mountain.
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Strange tales from a Chinese studio: Geng Xue’s porcelain imaginary
GENG XUE’s exhibition review by Dr Luise Guest is featured in Garland Magazine. “Chinese artist Geng Xue’s (耿雪) solo exhibition at Sydney’s Vermilion Art—her first in the southern hemisphere—transforms the gallery space from the conventional western white cube into something resembling an eighteenth-century cabinet of curiosity or wunderkammer.”
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Mister Sea (Hai gongzi) by Pu Songling (1640-1715)
This brief story is one of nearly five hundred pieces included in Pu Songling’s famous collection Strange Tales from Liaozhai. Falling between tale and anecdote, “Mister Sea” is narrated in a deceptively straightforward manner in the objective stance befitting “The Historian of the Strange,” the sobriquet that Pu adopted for himself.
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Geng Xue’s latest solo show “Spirituality · Being · Caves” is presented by Zhejiang Art Museum
Geng Xue’s ongoing series ‘Socrates‘ Square’ is shown in a current exhibition at Hi-Tower Art Gallery, Beijing…
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