Hyun-Hee Lee (b.1970, South Korea) is a Korean-Australian multidisciplinary artist whose work traverses traditional Korean and Western art practices. With the aim to establish a spiritual and cultural connection with her motherland, Hyun-Hee Lee recreates and re-contextualizes traditional cultural practices, customs and religious rituals in a contemporary context. She is inspired by the way memories are distorted, changed, and coloured by time and the emotional responses triggered by those memories.
Hyun-Hee Lee was the winner of the John Coburn Emerging Artist Award (2012) under the auspices of the Blake Prize. Her works have been selected for numerous awards and prizes, including the City of Sydney for Sydney Lunar New Year Festival (2022-23). She was the residency artist of Red Gate in Beijing; and the Onslow/Storrier La cite Internationale des Arts, Paris. She has exhibited across Australia and internationally, including South Korea, Paris, Beijing, and the U.S.
Hyun-Hee Lee currently lives and works in Sydney and Seoul.
Shape of Memories | Trailer
Confessions
“Memories of family rituals based on Buddhist beliefs linger strong in my mind since migrating from Korea. Always on New Year Eve we wrote our confessions from the past on papers, which were then folded and burnt. The act of repeating this ritual became cathartic to me and spiritually connected me to my family.”
Psalms
“I am paying homage to two religions in this work which consists of small pieces of Hanji paper, on these I have written all the Psalms from the Bible, parodying the Buddhist paper prayer ritual. This reflects my faith and gratitude with the Catholic religion which has helped me since migrating to Australia whilst paying homage to Buddhism, my guiding light in Korea, my country of birth.”
Compassion
“Compassion deals with the concept and act of compassion and is a complex summation work of many layers – physically, psychologically and spiritually, bringing together influences from my Buddhist upbringing, Korean cultural heritage and life experience. My work is vested in the mediation process and philosophy where a would held from the past, through forgiveness, can be purged and cleansed, leading through compassion to enlightenment.”
Dear My Father
Dear My Father is homage to her father and the scroll form calligraphic Buddhist sayings he would send to her to guide and provide solace for her in times of challenge.
A sense of healing and wanting to put away things from the past characterize HyunHee Lee’s most recent works. The process of her art making is both as performance and a kind of catharsis. Sitting and embroidering she describes as meditative and healing. Stitches close wounds forming silken ‘scars’. Hes is an action, not of forgetting – but recalling; acknowledging; recording and protecting; sometimes wrapping into parcels of time and place, of linking past and present. The artist’s sentiments are personal yet public and shared as singular yet universal emotions.
– written by Barbara Dowse
CV
2015 | Master of Fine Arts, the University of New South Wales Art & Design, UNSW, Sydney |
2011 | Bachelor of Fine Art with Honours, the National Art School, Sydney |
2023 | Journey Home I, Journey Home II, Kara’s Gallery, Seoul, South Korea |
Memory of Place, online, Artereal Gallery, Sydney | |
2021 | Last Winter, online, Artereal Gallery, Sydney |
2019 | In-Yeon, Artereal Gallery, Sydney |
2018 | Journey Home, Gosford Regional Gallery, New South Wales |
2017 | Nocturn, Artereal Gallery, Sydney |
2015 | Secrete, Artereal Gallery, Sydney |
Connections, AD Space, UNSW Art & Design, Sydney | |
2014 | Devotion, COFA Space, UNSW Art & Design, Sydney |
2013 | Pilgrimage, Open Studio, La Cite International des Arts, Paris, France |
Korean Whispers, Artereal Gallery, Sydney | |
2012 | 28 Days in Beijing, Red Gate Residency Open Studio, Red Gate, Beijing |
2011 | Confessions, Artereal Gallery, Sydney |
Confessions (From my Diary), Library Stairwell Gallery, National Art School, Sydney |
2023 | Entwined Within, ArtSpace on The Concourse, Sydney |
Raw Records: Materials in Practice, Blacktown Arts Centre, Sydney | |
KAAF (Korea-Australia Art Foundation) 10th Anniversary Art Exhibition, Korean Cultural Centre, Sydney | |
Inner Edge Drifting, Artspace on The Concourse, Sydney | |
2022 | Korean Diaspora – Ricepaper Airplane, Incheon Art Platform, Incheon, South Korea |
2017 | Sydney Contemporary 2017, Carriageworks, Sydney |
2016 | 10 Years Anniversary Show / Paint 16 / Paint 12, Artereal Gallery, Sydney |
Twenty/Twenty, CNY16 Exhibition, Old Rum Store Gallery, Kensington Contemporary, Sydney | |
2015 | The Language Schools at the Art Museum, Middlebury College Museum of Art, VT, U.S. |
2014 | Blacktown City Council, Recent Acquisitions, Blacktown Arts Centre, Sydney |
Crossing Boundaries, Chinese New Year Festival, Sydney Town Hall, Sydney | |
2013 | Blake Prize Touring Exhibition, Delmar; Jewish Museum of Australia; Cessnock Regional Gallery |
Red Gate Residency in Beijing, China |
Onslow/Storrier La cite Internationale des Arts Residency in Paris, France |
2023 | HIDDEN Rookwood Sculptures 2023 Finalist, Rookwood Cemetery, Sydney |
Hazelhurst Art on Paper Award, Finalist, Hazelhurst Arts Centre, New South Wales | |
Adelaide Perry Prize for Drawing, Finalist, Adelaide Perry Gallery PLC, Sydney | |
2023 | Gosford Art Prize, Finalist, Gosford Regional Gallery, New South Wales |
Blacktown City Art Prize, Highly Commended, Blacktown, Sydney | |
2022 | Awarded Jacaranda Acquisitive Drawing Award, Grafton Regional Gallery, New South Wales |
Fisher’s Ghost Art Award, Finalist, Campbelltown Arts Centre, Sydney | |
2021 | Georges River Art Prize, Finalist, St George Art Award, Hurstville Museum & Gallery, Sydney |
Blacktown City Art Prize, Acquisition, Blacktown, Sydney | |
2019 | Dobell Drawing Prize, Finalist, NAS Gallery, the National Art School, Sydney |
Blacktown City Art Prize, Acquisition, Blacktown, Sydney | |
2018 | Awarded Second Prize, KAAF Art Prize (The Korea-Australia Arts Foundation), Korean Cultural Centre, Sydney |
2016 | Sunshine Coast Art Prize, Finalist, Caloundra Regional Gallery, Queensland |
Highly Commended Chippendale New World Art Prize, NG Art, Sydney | |
Judges Special Mention Award, Hornsby Art Prize, Wallarobba Arts & Cultural Centre, New South Wales | |
Awarded Second Prize, KAAF Art Prize (The Korea-Australia Arts Foundation), Korean Cultural Centre, Sydney | |
2015 | Chippendale New World Art Prize, Finalist, NG Art, Sydney |
2014 | Chippendale New World Art Prize, Finalist, NG Art, Sydney |
Awarded Acquisition Award, Grafton Regional Gallery, New South Wales | |
2013 | Blake Prize, Finalist, Galleries UNSW, Sydney |
Winner, Blake Prize for John Coburn Emerging Artist Award, S.H.Ervin Gallery, New South Wales | |
2012 | Judges Special Mention Award, Hornsby Art Prize, Wallarobba Arts & Cultural Centre, New South Wales |
Georges River Art Prize, Finalist, St George Art Award, Hurstville Museum & Gallery, Sydney | |
2011 | Blacktown City Art Prize, Acquisition, Blacktown, Sydney |
2010 | Georges River Art Prize, Finalist, St George Art Award, Hurstville Museum & Gallery, Sydney |
2023 | Lunar New Year 2023, “Love Letters”, Art Gallery of NSW, Sydney |
Sydney Lunar Festival 2023, “Year of the Rabbit”, Banner Gallery, City of Sydney, Sydney | |
2022 | Sydney Lunar Festival 2022, Banner Gallery, City of Sydney, Sydney |
2013 | Awarded La Cite Internationale des Arts Paris Residency, Onslow/Storrier, the National Art School, Sydney |
Awarded COFA Travelling Grant, UNSW Art & Design, Sydney | |
2012 | Red Gate Residency, Beijing, China |
2010 | Awarded Bird Holcomb Fine Arts Scholarship, the National Art School, Sydney |