Strange tales from a Chinese studio: Geng Xue’s porcelain imaginary
GENG XUE’s exhibition review by Dr Luise Guest is featured in Garland Magazine. “Chinese artist Geng Xue’s (耿雪) solo exhibition at Sydney’s Vermilion Art—her first in the southern hemisphere—transforms the gallery space from the conventional western white cube into something resembling an eighteenth-century cabinet of curiosity or wunderkammer.”
Read More >Mister Sea (Hai gongzi) by Pu Songling (1640-1715)
This brief story is one of nearly five hundred pieces included in Pu Songling’s famous collection Strange Tales from Liaozhai. Falling between tale and anecdote, “Mister Sea” is narrated in a deceptively straightforward manner in the objective stance befitting “The Historian of the Strange,” the sobriquet that Pu adopted for himself.
Read More >Geng Xue’s latest solo show “Spirituality · Being · Caves” is presented by Zhejiang Art Museum
Geng Xue’s ongoing series ‘Socrates‘ Square’ is shown in a current exhibition at Hi-Tower Art Gallery, Beijing…
Read More >The Washboard is a Language: A Study of Nüshu (女书) and Women’s Histories in Tao Aimin’s Her Secret Code
The artist has collected over a thousand washboards from women living in China’s countryside, transforming them into sculptural and two-dimensional works. In Her Secret Code, Tao’s first exhibition in Australia, the arched ridges of the washboard—bearing the unique traces of their former user’s touch—methodically re-appear and haunt the space in imprints and impressions.
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